Kannathil
Muthamittal (A peck on the cheek)
A very sweet Tamil movie made in 2002, starring P.S.Keerthana, Simran, R.Madhavan and Prakash Raj. The movie is directed by one of my favourites, Mani Ratnam, who also takes the credits for story and screenplay. Dialogues are written by a well known Tamil dialogue writer, Sujatha, whose words are used in epic films like – Guru, Shivaji - the boss, Enthiran (Robot) etc.
The story is set in the midst of Sri Lankan Civil War.
A very sweet Tamil movie made in 2002, starring P.S.Keerthana, Simran, R.Madhavan and Prakash Raj. The movie is directed by one of my favourites, Mani Ratnam, who also takes the credits for story and screenplay. Dialogues are written by a well known Tamil dialogue writer, Sujatha, whose words are used in epic films like – Guru, Shivaji - the boss, Enthiran (Robot) etc.
The story is set in the midst of Sri Lankan Civil War.
Keeping the
base of the Liberation Tigers of Tamil Eelam (LTTE) in the story, Mani Ratnam,
has weaved in a superb dramatic screenplay of a 9 year old girl, notorious,
lovable, sweet and smart, called Amudha (P.S.Keerthana) in a family of a dad who is strict and a writer, Indra (that’s what he writes his name as Author) (played by
R. Madhavan) a very sweet mom, who is not scared of this strict dad, the real
Indra (Simran) and two younger brothers. Amudha is loved by everyone and is the
favourite in the school and colony. A happy family is faced with a twist when
Amudha is told by her father the fact that she is not their child and she was
adopted.
Film that
begins with the marriage of a couple in northern Sri Lanka, played by Nandita
Das and Chakravarthy, jumps to their first night and leads to military forcing
in the jungle where the couple is spending a good time. Chakravarthy tells
Nandita to go home and runs into the dense jungle. Nandita das is brought to
Rameshwar where the screenplay is cut at the point of her labour pain. It’s
left at the audience to apply logic to know that she has given birth to Amudha.
The core
film is when Amudha, starts insisting her parents to search for her biological mother. All
they have is her mother’s name – Shyama. At the beginning Amudha tries her own
sources which go out of hands when she does not come home from her school.
One day, she goes away to Rameshwar (the family stays in Chennai) to search for
her mother with her cousin. That time Madhavan commits Amudha to take her to
her biological mother, about whom they are not sure if she is dead or alive.
What is
impressive is the acting of all the artists…everyone has done a fabulous job.
Now since it is proved that Mani Ratnam can even make a stone shine like a
diamond (taking into consideration the explicit performance by Abhishek
Bachchan in Yuva, Guru and Ravaan), acting had to be over the top. Even more
impressive is the cinematography – Ravi K. Chandran. Superb camera work and deliverance
by this man. A 30 percent credit has to go to Ratnam for conceiving the shots. Especially
in the song “Sundari”. Though shot in Tamil Nadu, Kerala and Pondicherry, the
cinematic difference is felt between the shots of India and Sri Lanka.
Music – Just
as the film begins, the highly soothing harmony begins with the top shot, and that’s
exactly where you understand (if you follow that man’s music) it is A.R.
Rahman. He did just what he is good at.
Now to the
favourite factors of the movie…credited entirely to Mani Ratnam, that only he
can make sequences like these look unique on paper.
The love in the family is the nicest feature of this film. The attachment in the
family, Amutha’s relation to her father, her grandfather, to her mother and her
brothers, all of it is particularly defined and put into us. Every Father loves his daughter
more than anyone…it is exactly portrayed likewise in this film. Though it’s difficult to give equal love to the adopted one for the mother, who she has the children of her
own, Simran is shown giving Amudha, the equal love and priority (and the reason
behind this is the best part of the movie, which I will discuss later). Her
Grandfather (Mother’s father), loves her as she is the first child of the family. And then, the brothers, both younger, where she always fights with the immediate one and
the latter one always complains.
The man has
something in his presence on the sets of his films while shooting the emotional
scenes. He just makes it unbelievably emoting and expressive. What he writes must
be the result of what he has felt at least ones in his life. But they are
amazingly captured and put through.
The presence
of Prakash Raj – For bollywood people, they have seen and loved Prakash Raj for
his roles in Wanted, Singham and Dabangg2. He makes the best whimsical villain.
But watch this guy in this film. His Role is as jolly and connective as the
best people in our groups. He has a white collar role and a person who has a
helping nature, who helps the family to search for Shyama, during the high of
LTTE and Sri Lankan Military fights and shootouts, as if they are his own
family. Superb role, written for and played by Prakash Raj.
The Shootout
sequence in Sri Lanka – Of course there is no comparison between the two I am
going to mention, but what I am talking about is the feel – Remember the first
30 mins of Spielberg’s ‘Saving Private Ryan’? The superb shots taken and
presented. The shootout sequence at a garden and the building nearby between
Sri Lankan Military and LTTE fighters is made very very well and shot creatively.
And finally
the best sequence I liked, is the reason why Simran loves Amudha equally is the
flashback of how Amudha was adopted. When Amudha asks – How was I adopted? R. Madhavan
replies with – We did not adopt you who adopted us – taking us to the flashback
at Rameshwar and the love story of Madhavan and Simran. A superb sequence,
highly peppy and sticking to the characters that are placed in. No character
behaves out of his nature. And giving two entirely different moods equal
justice keeping the same characterization for everyone is very difficult and
Mani Ratnam is one of the greatest who does it well.
Finally, I would
rate this movie a 6.9/10. (Mind you 8/10 are like popular’s 100/10 for me.)


